28 April 2018
Gain a new insight into the history, uses and physical properties of wood, and learn all about the dark art of steam-bending solid wood into impossible looking shapes, including twisting, splitting and 3 types of compression strap. We will be bending 10 different species as well as seeing how thick a piece we can bend on the day! Everyone gets to take part during the 2 hour teaching session and there will an optional making session afterwards when you can make your own unique sculpture, steam-bent pot or lampshade to take home. This is transformational afternoon, with a talk, slideshow, practical seminar, plus live experiments. come along and you will never look at a tree in the same way again!
Teaching session 1pm - 3pm. Making session 3pm - 5pm. £25
Book at learnsteambending.com
ROB AND HARRIET FRASER
12 Feb 2018
Come and join us to plant trees around the new treefold:centre sculpture in Grizedale Forest, and celebrate the completion of the sculpture with the artists, Harriet and Rob Fraser of somewhere-nowhere.
treefold:centre was built in summer 2017 as part of the sculpture collection at Grizedale Forest. It is one of three treefolds in Cumbria that have been created by artists Harriet and Rob Fraser as a legacy of The Long View and a marker of the UK Tree Charter.
More information and register for a place at eventbrite.co.uk
5 February - 30 April 2018
Balance, Stack, Play is an interactive exhibition inviting everyone to be an artist. Audience members are asked to balance, build and construct their own sculptures using Kayt Hughes signature wooden blocks, to create their own sculptural form.
Visitors are asked to photograph their creations and upload to social media. A winning sculpture will be selected from the entries to be scaled up to create the latest sculpture for Grizedale’s world famous sculpture collection.
Kayt Hughes is a contemporary artist from Manchester, who graduated from Nottingham Trent University in 2015 and was awarded the Woon Prize for Painting and Sculpture. Solo exhibitions include “My Five Year Old Could Have Done That” at Gallery North and “It May Not Be Perfect But It’s Mine” at The NewBridge Project. This exhibition has been kindly supported by the Arts Council England, PLANT and 3rd Dimension.
Wednesday 17th January, 13.30pm-17.30pm
Career Start Up Workshop is part of a series of Business development workshops and events designed by the Crafts Council to provide makers with skills to strengthen their business development and promote their work successfully.
Find out about how to turn your making into your brand and a business tool. Two established makers will provide insight into their business and give valuable advice on their experiences setting up their businesses.
Booking essential. Early bird tickets available until 15th December 2017. More information and tickets are available on the Crafts Council Website
9 January - 13 May 2018
This exhibition shows the development of Charlie Whinney’s practice over the last ten years from architect – designer to pure sculptural practice and his continued passion for investigating man’s relationship with nature through his work.
Charlie’s 2017 piece Mountains we Made will also be celebrated as the latest addition to Grizedale’s world famous forest sculpture collection. This piece, made of steam bent wood grown in Grizedale, was a co-commission by the Forestry Commission, Lakes Culture and Lakes Alive as a response to the announcement of the World Heritage Status.
18 October - 31 December 2017
This exhibition by photographer Joseph Wright features a series of images created at a Cubby's Tarn. Part biographical in nature, Joseph takes inspiration for this series from the working life of the late John Cubby MBE, former Forestry Commission Chief Wildlife Ranger and family friend.
This man-made tarn was known to be a favourite location in the forest for John. It was later renamed Cubby’s Tarn in dedication of his memory and recognises the significant influences John had on advancing wildlife management techniques worldwide over his 35-year tenure with the Forestry Commission at Grizedale.
Over a number of years Joseph developed an intimate level of understanding of the tarn and surrounding woodland through repeated visits, to create a quiet and expressive body of work that explores the ‘spirit of place'. The photographs also shows us the regenerative effects of nature after forestry activity, and gives voice to those that manage our forests for future generations and their predecessors that passed before.
This new piece of artwork, entitled ‘Mountains We Made’ by Cumbria-based artist Charlie Whinney, has been specially commissioned by The Forestry Commission England, Lakes Culture and Lakes Alive in response to the new World Heritage inscription for the Lake District National Park. The designation was for its ‘cultural landscape’.
Mountains We Made is created from a series of ten steam bent sections of wood. The oak for the sculpture has been sustainably sourced from Grizedale Forest in the Lake District. The sculpture is designed for people to walk along. The wooden sections are inspired by and echo the forms ofthe ten highest peaks in the Lake District. Embedded with words that are taken from Lake District maps, viewers are encourage to follow the pathway through this new cultural landscape. Mountains We Made is currently touring to a number of venues and arts events including Brockhole, Lakes Alive and will be returning to Grizedale to become part of the permanent collection in January 2018.
somewhere-nowhere (Harriet Fraser and Rob Fraser)
An invitation to pause with a single aspen tree in the forest landscape. Created from reclaimed stone using traditional dry stone walling techniques, treefold:centre is carved with poetry and has through-stones that double up as seats. The entrance is aligned with the position of the rising sun on midsummer’s day and an aspen will be planted within the walls in February 2018. treefold:centre is one of three treefolds in Cumbria which have been built to mark the creation of a new Charter for Trees, Woods and People. The words carved into the three treefolds link to form a full poem. This fixed point acts as an enduring marker in the ever changing forest landscape.
ROB AND HARRIET FRASER
22 July 2017, 11am - 12pm, Free
Photographer Rob Fraser and writer Harriet Fraser, whose collaborative exhibition The Long View is the Galleries this summer will be giving a talk about the background to the work. They’ll share stories from two-years of walking and encounters with seven remarkably ordinary trees in Cumbria; their experience of tackling the 130km link walk between the trees; how they chose the trees; their creative approach; and the evolution of a collaborative practice that blends images, words and temporary installations inspired by trees and the layered history of the landscape.
Rob and Harriet Fraser
22nd June – 10th October 2017
Meeting seven remarkably ordinary trees in extraordinary locations.
Over two years Rob and Harriet Fraser have walked repeatedly to seven lone trees in Cumbria and spent time with them in all seasons, all weathers, night and day. This exhibition of photographs, poetry, video and installations reveals a deepening relationship with these trees and the land they overlook, and is an invitation to pause and share the wonders of the arboreal world.
7 June - 31 October 2017
In April Grizedale Forest hosted Karen Sheperdson's touring project 'The Welcome Rest', offering free photographic portraits of dogs and their owners.
This exhibition displays selected portraits taken in the forest, revealing the complex and frequently tender relationships and bonds between dogs and their companions.
30th January - 11th June 2017
Biosystem is a solo exhibition by Méadhbh O’Connor. Méadhbh (pronounced ‘Mave’) is an Irish artist who works at the conjunction of art, science and environmentalism.
The exhibition brings together sculptural installation art that aims to draw attention to our place in a wider natural system that is both powerful and fragile. A constellation of ‘living orbs’, commissioned by the Forestry Commission, are presented as a walk-through gallery installation. The artwork loosely refers to the modern emphasis on and developments in environmental sciences, James Lovelock’s Gaia Hypothesis, graphic illustration in Sci-fi fantasy literature and film, horticultural design and many other references.
Biosystem, an exhibition open to interpretation, aims to offer visitors an imaginative space that reminds us of our position as one part of a much broader and highly-complex eco and climate system; a system upon which we depend for our survival, health and wellbeing.
1 October 2016 - Ongoing
In Faintly Falling Upon All the Living and the Dead three life sized trees are transplanted into the gallery space. They allude to the stillness of a forest clearing, without the sound of wind or creaking boughs. Held in suspension, we are able to examine the exquisite detail of the bark and delicate forest floor on our own eye level.
The work of artist Mariele Neudecker is an ongoing exploration of the landscape tradition in art, and the changing representation and reception of nature and landscape. The context of the surrounding forest and Lake District provides a special setting from which to observe the changing meaning of landscape over time.
Neudecker has exhibited widely nationally and internationally, including solo exhibitions at the IKON Gallery, Birmingham, Tate St Ives, Tate Britain, London, the Zeppelin Museum, Friedrichshafen, as well as in Biennales in Japan, Australia and Singapore. Group exhibitions include MODEL, Galerie Rudolfinum Praha (2015), ANTARCTROPIA at the Antarctic Pavilion at the Venice Architecture Biennale (2014) and ARCTIC, Louisiana Museum of Modern Art, Humlebaek, Denmark (2013).
3 September 2016 - 1 January 2017
The Atkins CIWEM Environmental Photographer of the Year 2016 presents a shortlist of 60 exceptional environmental photographs, from a submission of ten thousand images by photographers and filmmakers from across seventy countries. The exhibition will be on show at Royal Geographical Society, before touring to Grizedale Forest, supported for the fourth year by Forestry Commission England.
The photographs and films reflect the urgent environmental and social concerns that surround us today. Topics include recent natural catastrophes induced by the changing climate, the effects of population growth on the urban environment, and the resourceful ways in which the human race is preserving the earth’s biodiversity.
The exhibition at Grizedale Forest will be accompanied by a portfolio showcase by Pedram Yazdani, winner of the Forestry Commission England People Nature and Economy Award 2016.
www.epoty.org @EPOTYcomp #EPOTY16
18 September - 6 December 2015
The lifestyles of plants are a source of inspiration in this unusual living exhibition at Grizedale Forest as part of the AND Festival 2015.
Over the course of evolution plants have developed their own peculiar body shapes, lifestyles and modes of reproduction. Celebrating plants lives, the artworks invite the audience to inquire into the plant behaviours, their ability to think, fantasize and dream.
Featuring international artists Brandon Ballengee, Karl Heinz Jeron, Chiara Esposito, Špela Petrič, Dimitris Stamatis, Jasmina Weiss, Pei-Ying Lin, Allison Kudla, Kathy High and Oliver Kellhammer.
Curated by Monika Bakke.
18 - 20 September 2015
Abandon Normal Devices (AND) Festival is a dynamic festival of ground-breaking art, digital culture and new cinema, taking place in Grizedale Forest between Fri 18- Sun 20 September 2015. This Autumn, in collaboration with the Forestry Commission England’s Forest Art Works programme, Abandon Normal Devices will transform Grizedale Forest in the heart of the Lake District into an exhilarating and illuminating retreat that will reveal the secret architecture of the forest through a programme of artworks, experiences, trails and film happenings.
Artists, designers, scientists and filmmakers have been brought together by AND to explore the woodlands and nature’s processes, examining the forest from a different viewpoint informed by the newest technology. The programme will give visitors new sensory perspectives on the forest, through the eyes and ears of plants, animals and machines. Including one of the first groups shows dedicated to understanding plant intelligence, an alternative communication system powered by the forests natural energy, the opportunity to experience the fantastical forest through the eyes of an animal and the creation of a love hotel for insects.
Featuring new commissions and artworks by artists Liam Young & Tim Maughan, Marshmallow Laser Feast, Joshua Soaffer, Brid A, Brandon Ballongee, Jen Southern, Matthew Plummer-Fernandez and Isabella Rossellini.
Abandon the obvious. Prepare to be offline. Leave for the woods!
In the Eyes of the Animal Marshmallow Laser Feast
A new commission enabling audiences to encounter England’s forests anew through an immersive virtual reality experience, told by the inhabitants of the forest. Creative collective Marshmallow Laser Feast (MLF) delight in exploring the line between virtual & real-world experiences and with this project will be taking audiences to a unique virtual reality setting created specifically for the Forest. This piece was filmed using unmanned aerial vehicles (UAVs) or ‘drones’ and bespoke 360º cameras, and is set to a binaural soundtrack using audio recordings sourced from the surrounding woodland.
Seeing the Forest Through The Trees / Various Artists
This topical and enlightening exhibition dedicated to the lifestyles of plants, features artworks which celebrate plants as active and autonomous beings perceiving the world in ways both alien and familiar to us. From looking at plant intelligence to the queer sex of plants these works will demonstrate the need to understand plants on their own terms. Featuring world class artists Karl Heinz Jeron, Chiara Esposito, Spela Petric, Dimitris Stamatis and Jasmina Weiss, Pei- Ying Lin. Curated by Monika Bakke.
Love Motel for Insects Brandon Ballongee
The UK Premiere of a new iteration of Love Motel for Insects, site specific to Grizedale Forest, will be a large-scale living sculpture for the forest inviting insects from across the forest to stay at the Love Motel for the festival. This sculpture will be on site for a month using ultra-violet lights on enormous sculpted canvases to attract an array of bugs and insects, the motel will create an opportunity for people to interact with the rarely seen nocturnal arthropods.
Spreadkom Brid A
Spreadkom is an alternative communication system created especially for the forest by Italian collaborators Brid A, The new commission will encourage you to think about our forgotten and hidden abilities to communicate, distributed throughout the forest will be a series of devices, all powered by air, water or sunlight. These devices will be able to communicate with each other and with listeners (visitors) by sending different sound codes, mimicking the natural sounds of the forest. Spreadkom avoids the use of a central operation unit based network like GPS or internet and emphasises alternative ways of communication and orientation without relying on standard technology that permit all sorts of abuse by the possibility of tracking or spying.
Where the City Can’t See Liam Young
From a viewing pontoon deep within the forest, we can see the landscape through the eyes of the machines that construct it. Revealed via emerging technologies of laser scan surveyors, this short film seen through observation equipment, exposes a vibrant and hidden underground community. Where the City Can’t See is a prelude to the world’s first fiction film made entirely from data by author Tim Maughan and designed and directed by speculative architect Liam Young.
The majority of the programme taking place in Grizedale Forest is FREE with a small number of events being ticketed. The full programme including the film programme, further screenings, installations, online projects, public realm interventions, debates, workshops and live events, will be revealed at the end of July 2015. Tickets will also be released at the end of July along with camping options for festival visitors.
Abandon Normal Devices (AND) Festival 2015 is hosted by partners Forestry Commission England’s Forest Art Works programme and supported using public funding by Arts Council England with additional support from South Lakeland District Council and the Creative Europe Programme of the European Union. Participating partners include Lakes Culture, Kendal Calling, Lancaster University Eden Arts, Florence Mine and Heart of Glass, HOME, Drugo More, Cumbria Bio-diversity Centre, FACT, The Brewery Kendal.
Abandon Normal Devices is a commissioning agency and a catalyst for new approaches to art-making and digital invention. We create ground breaking projects which challenge the definitions of art and moving image with a distinct emphasis on creative enquiry and provocations. AND brings together an eclectic mix of academics, filmmakers, scientists and anarchists to actively push the boundaries of audience experience and arts production. Inviting artists to hijack the imagination, by developing projects which abandon traditional settings and partnerships.
The AND portfolio consists of film happenings, exhibitions, performances, online projects, residencies, public realm interventions and a roaming biennial festival. AND Festival is the UK’s first roaming festival of cinema, art and digital culture, which maps fresh geographical and digital domains every two years. It takes place nationally and internationally and is a catalyst for partners and artists to explore different contexts and curatorial models. AND was established in 2009, as a unique partnership between Cornerhouse, FACT and folly. AND is funded by Arts Council England.
Esme Allen, winner Forestry Commission Exhibition Award 2015
Atkins CIWEM Environmental Photographer of the Year 2015
18 July - 7 September 2015
Photojournalist Esme Allen travelled to Iraq in 2012 with Royal Botanic Garden Edinburgh to support and document the work of the organisation Nature Iraq in the Mesopotamian Marshes.
The photos are a beautiful and fascinating account of the lives of indigenous ‘Marsh Arabs’, whose lives in the marshes of Iraq were devastated by large scale draining of their homeland by Saddam Hussein in the 1990s. After the fall of the regime the arid marshes were re-flooded when people broke through the embankments holding back the water. The return of the plants, animals and community to this unique landscape speaks of the resilience of people and environment to respond and be restored after ecological destruction and crisis.
This year the Forestry Commission England Exhibition Award will be shown in tandem with the Atkins CIWEM Environmental Photographer of the Year 2015, giving one photographer the chance to display a portfolio of work focussing on one environmental story in depth, outdoors in the grounds of Grizedale Forest.
This exhibition would not be possible without Royal Botanic Garden Edinburgh, the Centre for Middle Eastern Plants and Nature Iraq.
The world's best environmental photographers...
Patrick Farmer and Sarah Hughes
15 - 26 May 2015, performance 15 May 6:30 - 7:30pm
Patrick Farmer and Sarah Hughes present We Find the Body Difficult to Speak, a new body of work made in response to a series of residencies at Grizedale Forest throughout 2014 and 2015.
The work comprises a series of text scores that form the basis of a number of sound, video and performance works – all of which have been produced in and around Grizedale Forest. These will be exhibited and performed in the galleries at Grizedale Forest Visitor Centre on Friday May 15th 2015. The work builds on the recently published book Yew Grotesque by Patrick Farmer, a text-based engagement with listening written in response to walking at Grizedale and residing in the wooden cabin on the fringe of the forest. The residency and publication were made possible through a partnership between Forestry Commission England and Sound and Music.
This new work makes direct reference to a form of composition that emerged in the late 1950’s and early 1960’s through the work of artists such as John Cage, George Brecht, and Yoko Ono. These artists questioned the limits of composition and influenced many movements connected with minimalism and conceptual art by expanding ideas around authorship and participation, as well as exploring the boundaries of artistic disciplines.
Since 2008 Farmer and Hughes have curated Compost and Height, an online platform for contemporary music and its associated disciplines, which include writing, sculpture and field recording. Both artists have performed and exhibited internationally, including the John Cage Centenary Celebration at the BBC Proms 2012. They co-edit Wolf Notes, a journal that reflects on current music practices, and have independent practices that explore sculpture, writing, sound and composition. Sarah Hughes is the current Composer in Residence at South London Gallery.
Luke Duggleby, winner Forestry Commission Exhibition Award 2014
Atkins CIWEM Environmental Photographer of the Year 2014
15 November 2014 - 1 March 2015
Forestry Commission England is delighted to present Guardians of the Areng Valley by photographer Luke Duggleby, recipient of the inaugural Forestry Commission England Exhibition Award. The award is part of the Atkins CIWEM Environmental Photographer of the Year 2014 and was selected by Forestry Commission England Director Ian Gambles.
This exhibition is the world premiere of a significant body of work by Duggleby. The photographs shown in the exhibition present Duggleby’s journey into the Cardamom Forest in Southwest Cambodia, focusing on a group of Buddhist monks pioneering a small but influential environmental movement aimed at reversing forest destruction to protect the indigenous peoples and endangered species of the remote Areng Valley.
England’s Public Forests provide a suitably inspiring location to present this exhibition and are the perfect setting in which to reflect on the wider global issues and concerns relating to our environment. The threat faced by woods and forests, to the people and species that inhabit them is a global one. They are places not only of special ecological value but of great cultural significance. However far too often they are perceived only as a resource or perhaps even a hurdle to overcome in the rapid development of land. Duggleby’s photographs are evidence of these opposing perspectives and the conflict in which the latter often prevails.
Duggleby has been a professional photographer working in Asia since 2004. Using Bangkok as his base he regularly travels the continent and further afield shooting assignments for some of the world’s most respected publications and NGOs as well as undertaking personal projects. His images have featured in many respected photography competitions and have been published by clients ranging from The Sunday Times, National Geographic, The Guardian, Greenpeace, Monocle and The New York Times.